The Essex Serpent by Sarah Perry


I’m not normally one for buying new books, as regular readers no doubt know, but when I saw the beautiful William Morris inspired cover of The Essex Serpent on the shelf in Foyles, I knew this was going to be something right up my street. A quick read of the blurb confirmed my first impression: a Victorian setting, featuring amateur naturalists, a mysterious legend, troubled vicars and bleak coastal countryside? It was as if Sarah Perry had looked into my soul and written a novel just for me! I skipped off to the till and happily parted with my money, filled with delight at the prospect of a neo-Victorian gem to lose myself in.

Stretched out underneath the almost mediterranean levels of sun in Hyde Park last week, I immersed myself in Perry’s beautiful prose, and almost felt I was in the bleached, barren village of Aldwinter, Essex, where much of the novel’s action takes place. Cora Seaborne, an intelligent, unconventional young widow, moves there after her controlling husband’s death, desperate to escape the house in London that she associates with him. After reading about a section of the coastline where a cache of dinosaur fossils has been found, Cora decides that Essex will be the perfect place to reinvent herself and indulge in her fossil collecting hobby. Shortly after her arrival in Colchester, a friend introduces her to the vicar of nearby Aldwinter, William Ransome, and his beautiful wife Stella, and it is the meeting of Cora and William that will prove to be the driving force of the novel. For William is not the staid and dour clergyman Cora expects, and neither is Cora the fastidious, melancholy widow in black bombazine he anticipates. Despite neither sharing in the other’s beliefs, and viewing the world from completely opposing angles, they share a deep and inexplicable intellectual and emotional understanding that draws them irresistibly to one another. Both are in need of something, both searching for meaning and understanding outside of themselves; William is trying to defeat the rumours of the mythical ‘Essex Serpent’, who is driving his parishioners away from God and towards superstition, and Cora is trying to carve out a sense of self after spending so many years in the shadow of another. However, as the hold of the serpent asserts itself over the bleak, isolated village of Aldwinter, leaving tragedy in its wake, Cora and William find themselves struggling to make sense of their relationship, and to reconcile their views of the shifting world around them.

There are also many other characters and many other subplots, and much that is interesting and thought provoking, and all written in a wonderful, lyrical and highly evocative prose that I very much enjoyed. However, the issue that I have with most modern fiction is the trend to have several plots happening at once, with a wide cast of characters doing things that are entirely unnecessary to the main story and are merely there for some sort of metaphorical significance. Such is the case with The Essex Serpent. What could have been a marvellously thought provoking novel about the conflict between faith, science, reason and doubt in the nineteenth century became a series of diluted romances between people who didn’t really seem to interact with or be necessary to one another at all, and the actual story of the serpent did get rather lost somewhere along the way. The characters felt very much like they were there merely as metaphorical representatives of societal change and scientific progress, and I never felt like I had really got to know them on anything more than a superficial level. I closed the pages feeling that a wonderful central idea, which offered such opportunity, had not been used to its best advantage, and that I had been introduced to lots of characters and stories that had no real conclusion or coherence. Even though it was an entertaining read, it could have been something really brilliant with a little more focus, and I was disappointed that it fell short of what I had been hoping for. I was also disappointed at the fact that no neo-Victorian writer seems to be able to resist the lure of the dreaded consumption doing away with one of their characters. I don’t want to read about any more blood spattered handkerchiefs! Surely there must be some other way of killing nineteenth century people off?!

In short, this is a beautifully written book, with some startlingly gorgeous descriptions of nature, and I think Sarah Perry is a marvellous writer with a wonderful imagination. If you don’t mind the lack of coherence, it is definitely worth reading for the writing and for the historical setting alone. There is much within to delight and fascinate, though it did leave me ultimately rather cold.


  1. yours is the first review I’ve read which was less than 100% enthusiastic. I’ve not read it myself and probably won’t – just my odd nature which seems to rebel against highly popular books!

    1. I’m normally like that with popular books but this one seemed too good to miss! I’m not sorry I read it, but it certainly didn’t reach the height of brilliance the reviews promised in my eyes!

  2. Oh, that’s a shame! I enjoyed it – the side plots seemed more Dickensian to me than anything else, what with everyone knowing everyone else in some way. And her descriptive writing is to die for: the sections on weather and food are so lush.

    1. I did enjoy the side plots – I just wanted them to have some actual purpose…I felt that the idea of the serpent got completely lost in the end. Yes the descriptive writing was wonderful – you can tell she’s studied creative writing!

      1. I’m a sucker for good descriptions of food (have you read the Redwall books? I loved the feast scenes in them, as a kid) and it’s her food descriptions that I enjoyed the most, I think!

  3. I have only read good reviews for this book, and although it’s been some time since I’ve read anything on-crime set in the 19th century, The Essex Serpent could be the book to change it. Do you think it’s worth indulging on the hardback?

    1. I think that it’s worth it – it is a very absorbing read and I did enjoy it. Some of the passages of prose are gorgeous and it’s an interesting concept. I don’t think it quite hangs together but it’s still a book I’d read again so I would encourage you to try it!

  4. Your reviews are always something to learn from. The way you write about themes never fail to highlight something I’ve missed. But in this case, my lovely friend, I have no choice but to take your hand (virtually)…and smack it! I completely understand, and respectfully appreciate, everything you wrote but this is a book that reminded me how it felt to disappear into a story when I was really young. It was fun! Those peripheral characters and storylines provided space to breathe and to miss William, Stella and Cora. I write this with a smile on my face as I picture the debate we could be having if I were in London! As far as TB is concerned though, given the high rate of infection I’m surprised everyone wasn’t dropping like flies….

    1. I’m so glad you loved it Darlene! I wish we could talk about this in person! I’m sure we’d both have much to say! 🙂 Oh goodness…what I never understand about TB in books though is that only one member of the family ever seems to get it. Surely it would have been more contagious than that?!

  5. Very interesting review, now I’m not sure whether to read it or not, because the part you’ve outlined as not being for you, probably wouldn’t be for me either. Hmmm, difficult one, I may wait a month or two and then come to it.

  6. Very good review, although I have to say that LOVED it and I really enjoyed all the other characters and plots – I think in fact it would have lost its richness without them, and to me they ‘spoke’ to each other and the main plot beautifully. But I do agree with you about Sarah Perry’s language – it’s just amazing. I’ve ordered her first book excitedly!

    1. I’m so glad you loved it so much! I think it’s one of those books that you either fall completely in love with or can respect but ultimately find quite cold. I was in love with it but then I gradually became frustrated as time wore on and nothing actually happened!

  7. Hi Booksnob, I very much enjoyed your review which captured a lot of how I felt about the novel! My bookclub is currently reading it and many of us feel the same way and have been a bit frustrated at not finding more critical (in the literary sense) reviews. Would it be ok for me to share your review with the club for discussion- credited, of course!

    1. Hi Miriam! I’m glad I’m not the only dissenting voice in the wilderness! Of course you can – it sounds like you’re going to have a very interesting discussion!

  8. The Essex Serpent is a very good, engaging read. Lots of plot and interesting characters. It reads a little like a Victorian novel. Reminds me of D H Lawrence and Thomas Hardy novels. For me, Lawrence’s characters are more complex and better developed.
    Whilst there are lots of interesting sub plots, the overall character development of the main characters has weaknesses. For example, Martha’s conversion of George to her cause of better housing for the poor, Stella Ransome’s illness and Cora and William’s theological battle are not fully nor convincingly fleshed out.

  9. After so much hype this if finally a review I really agree with. I liked it, but expected more, and at times felt like I was in a Victorian ‘A Midsummer Night’s Dream’!

  10. Wonderful review. Very interesting point that you made however. I didn’t actually look at it that way when I was reading it, about the different POV’s which I’m so used to reading, that it just passed right over me. The writing was fabulous and the story was beautifully written and completely unlike anything else that is being published now, however you are quite right about the different stories occurring and there being so many characters with so many little side stories, that it was sometimes difficult to keep up with their little lives. I still really enjoyed the book and it was quite refreshing to read a book that was well written, unlike so many.

  11. Hi Booksnob. I also found yours to be much closer to my view than the (seemingly) universally enthusiastic reviews of the professional critics. Some lovely writing, but rather incoherent and inconsequential as a novel.

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